Published on Pop Culture Happy Hour, NPR
Mar 30, 2022
Mar 30, 2022
Podcast: 'Bridgerton' is back, but will you still swoon?
Published on Reverse Shot
Mar 21, 2022
Mar 21, 2022
Riding the Rocket
Published on Pop Culture Happy Hour, NPR
Feb 28, 2022
Feb 28, 2022
Podcast: 'Belfast' views The Troubles through a child's eyes
Published on Documentary Magazine
Feb 13, 2022
Feb 13, 2022
Sundance 2022: Omicron Drives a Virtual Revival
Published on Frameland
Feb 13, 2022
Feb 13, 2022
Cakes, Frogs and Pistachios: Hit the Road is a Wondrous Ride to Remember
Published on Reverse Shot
Feb 9, 2022
Feb 9, 2022
Mightier than the Sword
Published on Pop Culture Happy Hour, NPR
Jan 14, 2022
Jan 14, 2022
Podcast: Something wicked-good this way comes: 'The Tragedy of Macbeth'
Published on MUBI Notebook
Nov 11, 2021
Nov 11, 2021
An Old-New Film from an Old-New Wave: Mohammad Reza Aslani’s "Chess of the Wind"
Published on The Juggernaut
Nov 11, 2021
Nov 11, 2021
The Trendsetting Legacy of India’s VJs
Published on MUBI Notebook
Nov 5, 2021
Nov 5, 2021
Goodbye, England’s Rose: The Tragedy of Pablo Larraín's "Spencer"
Published on Pop Culture Happy Hour, NPR
Oct 26, 2021
Oct 26, 2021
Wes Anderson's 'The French Dispatch' is Good. Period(ical).
Published on Morning Edition, NPR
Oct 22, 2021
Oct 22, 2021
Movie review: 'The French Dispatch'
Published on Documentary Magazine
Oct 21, 2021
Oct 21, 2021
BIPOC Doc Editors and Their Fight for Diverse Edit Rooms
Published on Hyperallergic
Oct 1, 2021
Oct 1, 2021
A New Documentary Explores the Life of Unheralded Civil Rights Activist Pauli Murray
Published on The Juggernaut
Sep 20, 2021
Sep 20, 2021
How 'Made in India' Made us Thirsty Forever
Published on Hyperallergic
Sep 13, 2021
Sep 13, 2021
There Are Now Not One But Two Documentaries About the Salvator Mundi Saga
Published on Documentary Magazine
Sep 3, 2021
Sep 3, 2021
Jessica Beshir's Documentary 'Faya Dayi' Sees Ethiopia In Black and White
Published on Hyperallergic
Aug 29, 2021
Aug 29, 2021
Confronting Doubt with the Power of Shakespeare
Published by Center for Asian American Media
Aug 26, 2021
Aug 26, 2021
Geeta Gandbhir on Being the Slightly Shrill Person in the Room
Published on Pop Culture Happy Hour, NPR
Aug 19, 2021
Aug 19, 2021
Podcast: 'Brand New Cherry Flavor' Is Stylish... And Slimy
Published on Documentary Magazine
July 29, 2021
July 29, 2021
A Body of BIPOC Documentaries at Tribeca 2021
Published on Juggernaut
July 29, 2021
July 29, 2021
The Ordinary Charm of the Extraordinary Hrishikesh Mukherjee
Published on Hyperallergic
July 22, 2021
July 22, 2021
How Tennis Star Naomi Osaka Handles the Pressure of Competition
Published on Documentary Magazine
June 28, 2021
June 28, 2021
Uncovering Satyajit Ray's Documentaries
Published on Pop Culture Happy Hour, NPR
June 17, 2021
June 17, 2021
Podcast: Top 10 'Friends' Supporting Characters, Ranked
Published on Pop Culture Happy Hour, NPR
June 16, 2021
June 16, 2021
Podcast: The 'Friends,' Ranked, From Ross To Best
Published on PBS World Channel
June 11, 2021
June 11, 2021
Decolonizing Mental Health: Transforming Care for BIPOC Communities
Published on ITVS
May 31, 2021
May 31, 2021
"Free Chol Soo Lee" Filmmakers Share Desire to Tell Complex, Nuanced Stories of Asian Americans
Published on Hyperallergic
May 17, 2021
May 17, 2021
Satyajit Ray’s Portraits of Flawed Masculinity
Published on Pop Culture Happy Hour, NPR
May 17, 2021
May 17, 2021
Podcast: 'The Underground Railroad' Is A Brutal Yet Beautiful Ride
Published on Juggernaut
May 12, 2021
May 12, 2021
The Visual Language of Satyajit Ray
Published on TCM
May 2, 2021
May 2, 2021
Desire in Three Parts: Satyajit Ray’s THREE DAUGHTERS
Published on cinéSPEAK
Apr 8, 2021
Apr 8, 2021
From a Bookshelf to Screens Everywhere: The Story of Prismatic Ground
Published on Hyperallergic
Apr 8, 2021
Apr 8, 2021
Dots for Days: Kusama Blooms at the New York Botanical Garden
Published on Firstpost
Apr 7, 2021
Apr 7, 2021
Night of the Kings, Philippe Lacôte's Ivorian Oscars entry, is a peek into the world's only prison run by an inmate
Published on Pop Culture Happy Hour
Apr 5, 2021
Apr 5, 2021
Podcast: In 'The Father,' Anthony Hopkins' Mind Is A Prison
Published on Firstpost
Mar 16, 2021
Mar 16, 2021
What do we do with Woody Allen’s films?
Published on Berlinale Talents
Mar 10, 2021
Mar 10, 2021
How Do We Talk About Black Women Singing?
Published on Berlinale Talents
Mar 4, 2021
Mar 4, 2021
A Marriage Story
Published on Berlinale Talents
Mar 3, 2021
Mar 3, 2021
A Critical Journey
Published on CinéSPEAK
Feb 18, 2021
Feb 18, 2021
Our Right to Gaze: A Defiant Declaration
Published on Pop Culture Happy Hour, NPR
Jan 29, 2021
Jan 29, 2021
Podcast: Oui, We Love 'Lupin'
Published on Hyperallergic
Dec 30, 2020
Dec 30, 2020
2020: A Year in Film
Published by Museum of the Moving Image
Dec 30, 2020
Dec 30, 2020
Critical Interventions
Published on Documentary Magazine
Dec 23, 2020
Dec 23, 2020
From Outreach to Impact: Two Decades of Working Films
Published on Bitch Media
Nov 24, 2020
Nov 24, 2020
Undetectable: “Coded Bias” Challenges the Racism of Facial-Recognition Software
Published on Firstpost
Nov 7, 2020
Nov 7, 2020
Nazarband filmmaker Suman Mukhopadhyay: 'No art can be created if the artist isn’t politically aware'
Published on cinéSPEAK
Nov 2, 2020
Nov 2, 2020
A Very Well-Behaved Teenager: The Philadelphia Asian American Film Festival 2020
Published on Pop Culture Happy Hour, NPR
Oct 30, 2020
Oct 30, 2020
Podcast: 'The Great British Baking Show': Still Scrummy Or A Little Soggy?
Published on TCM
Oct 27, 2020
Oct 27, 2020
A Little Glam Girl In A Big Bad City
Published on Hyperallergic
Oct 21, 2020
Oct 21, 2020
The Ugly History of Forced Sterilizations in Women’s Prisons
Published on The Margins, AAWW
Oct 14, 2020
Oct 14, 2020
Translators’ Notes: Letters for Black Lives
Published on Frameland
Oct 6, 2020
Oct 6, 2020
India and its Many Songs: The Disciple & Pearl of the Desert
Published on Reverse Shot
Oct 1, 2020
Oct 1, 2020
On the Wire
Published on Hyperallergic
Sept 29, 2020
Sept 29, 2020
The Boldly Feminine Gaze of Hiba Schahbaz
Published on Hyperallergic
Sept 23, 2020
Sept 23, 2020
Did You Know Helen Keller Was a Socialist?
Published on Reverse Shot
Sept 15, 2020
Sept 15, 2020
Connected: 9to5—The Story of a Movement/Fast Food Nation
Published on Documentary Magazine
Sept 10, 2020
Sept 10, 2020
The Battle for the Ballot: 'All In' Traces the History of Voter Suppression
Published on Screenslate
Aug 28, 2020
Aug 28, 2020
Epicentro
Published on Hyperallergic
Aug 20, 2020
Aug 20, 2020
A Celebration of Black, Brown, and Indigenous Stories
Published on Reverse Shot
Aug 19, 2020
Aug 19, 2020
Stronger Together: On the Rise of Female Documentary Collectives
Published on Screenslate
Aug 15, 2020
Aug 15, 2020
The Wise Kids
Published on iTVS
Aug 12, 2020
Aug 12, 2020
"Filmmaking Is Not a Career, It’s a Calling"
Published on Hyperallergic
Aug 6, 2020
Aug 6, 2020
Exposing Rodrigo Duterte’s War on the Free Press
Published on Mubi Notebook
July 16, 2020
July 16, 2020
Noir Meets Nawathe: Close-Up on "Gumnaam"
Published on iTVS
June 30, 2020
June 30, 2020
Filmmakers Coping During COVID
Published on Mubi Notebook
June 29, 2020
June 29, 2020
The Ghosts of Mani Kaul: Close-Up on "Duvidha"
Published on Hyperallergic
June 8, 2020
June 8, 2020
Reclaiming the Legend of Bruce Lee
Published on Mubi Notebook
June 8, 2020
June 8, 2020
Our Mothers in Cinema, Blessed Be Thine Names
Published on Mubi Notebook
June 2, 2020
June 2, 2020
A Dark Horse Called Hope: Close-Up on Gurvinder Singh's "Alms for a Blind Horse"
Published on Hyperallergic
May 28, 2020
May 28, 2020
A Queer, South Asian Utopia Comes to Life in This Graphic Novel
Published on Juggernaut
May 27, 2020
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May 27, 2020
Note: This is a pdf that may prompt a download depending on your browser settings.
PBS’s ‘Asian Americans’ Is Overdue, But Is Just the Start
Published on Mubi Notebook
May 12, 2020
May 12, 2020
Stories, Histories, and Inheritance: Close-Up on Saeed Akhtar Mirza's "Naseem"
Published on MUBI Notebook
Apr 28, 2020
Apr 28, 2020
The Call of an Audacious Future: Close-Up on Shyam Benegal's "Ankur"
Published on Screenslate
Apr 19, 2020
Apr 19, 2020
ROOM H.264: Quarantine
Published on Bitch Media
Apr 3, 2020
Apr 3, 2020
"Crip Camp” Brings Visibility to the History of Disabled Activists
Published on MUBI Notebook
Mar 31, 2020
Mar 31, 2020
Covering Silences: Close-Up on Govind Nihalani's "Party"
Published on Forbes
Mar 18, 2020
Mar 18, 2020
‘We Get To Create Our Own Narratives’: Leela Ladnier On Being Disney Junior’s Mira
Published on MUBI Notebook
Feb 17 2020
Feb 17 2020
A Swansong and Frogs in Wells
Published on Vague Visages
Feb 14, 2020
Feb 14, 2020
On the Calamity of Life: Angela Schanelec’s ‘I Was at Home, But’
Published on Hyperallergic
Feb 14, 2020
Feb 14, 2020
The Body Is Both Vulnerable and Powerful for One of India’s Most Prominent Printmakers
Published on Hyperallergic
Feb 7, 2020
Feb 7, 2020
Approaches to Feminism by Way of Shirley Jackson and a Black Beauty Pageant
Published on Reverse Shot
Feb 7, 2020
Feb 7, 2020
Sundance Film Festival 2020: Dispatch Two
Published on Hyperallergic
Feb 6, 2020
Feb 6, 2020
At Sundance, Examining the Relationships Between People and Their Governments
Published on Hyperallergic
Jan 31, 2020
Jan 31, 2020
Kahlil Joseph Imagines a News Channel Foregrounded in Black Excellence
Published on Screenslate
Dec 19, 2019
Dec 19, 2019
Le Bonheur
Published on Firstpost
Nov 29, 2019
Nov 29, 2019
The Warrior Queen of Jhansi director Swati Bhise: In times of gender disparity, Lakshmi Bai's is perfect story to share
Published on Frameland
Nov 12, 2019
Nov 12, 2019
The Lives of the Tragic and Famous
Published on Hyperallergic
Nov 6, 2019
Nov 6, 2019
The Bittersweet Nostalgia of Watching Basquiat in Downtown 81
Published on Hyperallergic
Oct 11, 2019
Oct 11, 2019
A Movie Envisions the Trial that Eric Garner Never Had
Published on Hyperallergic
Oct 9, 2019
Oct 9, 2019
Agnès Varda Says Goodbye to Life and Art In Her Poignant Final Film
Published on Directed by Women
Oct 7, 2019
Oct 7, 2019
Ida Anita del Mundo: The Reluctant Filmmaker and The Dream Chronicler
Published on MUBI Notebook
Oct 2, 2019
Oct 2, 2019
A Solemn Little Mass Remembering Yves Saint Laurent
Published on Hyperallergic
Sep 27, 2019
Sep 27, 2019
An Unearthed Cinematic Time Capsule of New York Hustle and Bustle
Published on Hyperallergic
Sep 12, 2019
Sep 12, 2019
Flipping the Script on Stereotypes Impacting People With Visible Disabilities
Published on Directed by Women
Sep 8, 2019
Sep 8, 2019
TIFF’s Kiva Reardon on Programmes that Resist Closure
Published on Directed by Women
Sep 7, 2019
Sep 7, 2019
TIFF’s Dorota Lech and the Art of Programming an Inclusive Festival
Published on Reverse Shot
July 29, 2019
July 29, 2019
The Power of One
Published on Firstpost
Aug 23, 2019
Aug 23, 2019
Viveik Kalra on his Blinded by the Light director Gurinder Chadha, Bruce Springsteen, and Bollywood
Published on Firstpost
Aug 21, 2019
Aug 21, 2019
Gurinder Chadha on Blinded by the Light, being inspired by Bruce Springsteen and recreating '80s Britain
Published on Hyperallergic
Aug 9 2019
Aug 9 2019
A Disturbing Reckoning With China’s One-Child Policy
Published on iTVS
Aug 5 2019
Aug 5 2019
The Work Behind the Spectacle
Published on Hyperallergic
July 16 2019
July 16 2019
How New York Let the Bronx Burn, and How the Borough Survived
Published on Vague Visages
July 10 2019
July 10 2019
What’s Age Got to Do with It: Neena Gupta in ‘The Last Color’
Published on MUBI Notebook
June 14 2019
June 14 2019
God Save the Queens: “Paris Is Burning” Returns
Published on Vague Visages
June 14 2019
June 14 2019
Jahnu Barua’s ‘Bhoga Khirikee’ Peeks Into An Insurgent Assam
Published on Zora, Medium
June 11 2019
June 11 2019
My Grandmothers’ Braids
Published on Bitch Media
June 4, 2019
June 4, 2019
Sea Change: “Knock Down the House” Captures the Wave of Women Running for Office
Published on Vague Visages
June 4, 2019
June 4, 2019
Eat Meat / Man, Woman: Bhaskar Hazarika’s ‘Aamis’
Published in NANG Magazine
May 2019
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May 2019
Note: This is a pdf that may prompt a download depending on your browser settings.
Catalyzing the Indian New Wave
Published on Hyperallergic
May 16, 2019
May 16, 2019
Christo and Jeanne-Claude’s Dream to Walk on Water
Published on Vague Visages
May 13, 2019
May 13, 2019
What Would Springsteen Do?’ and Other Questions: Gurinder Chadha’s ‘Blinded by the Light’
Published on Screen Slate
May 7, 2019
May 7, 2019
Decade of Fire
Published on Screen Slate
Apr 20, 2019
Apr 20, 2019
Rio, Zona Norte
Published on MUBI Notebook
Apr 5, 2019
Apr 5, 2019
Review: “Amazing Grace,” Through Many Dangers, Toils and Snares
Published on Hyperallergic
Mar 12, 2019
Mar 12, 2019
In 3 Faces, Three Generations of Iranian Actresses Grapple with Oppression
Published on Directed by Women
Mar 7, 2019
Mar 7, 2019
#Crucial21DbW: Circle directed by Jayisha Patel
Published on Screen Slate
Mar 9, 2019
Mar 9, 2019
Black Mother
Published on Forbes
Mar 6, 2019
Mar 6, 2019
One Hundred Years Of Solitude: Macondo Is Making Its Way To Netflix
Published on Frameland
Mar 3, 2019
Mar 3, 2019
Halogen Dreams
Published on Hyperallergic
Mar 1, 2019
Mar 1, 2019
Taking the Highway to Freedom with a Green Book
Published on Screen Slate
Jan 14, 2019
Jan 14, 2019
Interview: Flaherty NYC "Puzzling" Curators Mary Helena Clark & Alexander Stewart
Published on Reverse Shot
Jan 5, 2019
Jan 5, 2019
Reverse Shot’s Best of 2018
Published on CNN News18
Jan 2, 2019
Jan 2, 2019
Revisiting the Life and Times of Mrinal Sen, the Last of the Indian New Wave Veterans
Published on Hyperallergic
Dec 26, 2018
Dec 26, 2018
Miami Told Through Old Photographs and Lost Stories
Published on Hyperallergic
Dec 25, 2018
Dec 25, 2018
The Underrecognized History of Indian Artists in Paris
Published in Cineaste (Winter 2018 issue)
Dec, 2018
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Dec, 2018
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As Thick as Thieves: An Interview with Alonso Ruizpalacios and Gael García Bernal
Published on IndieWire
Nov 10, 2018
Nov 10, 2018
Camera Buffs: How Two New Films See Photographers Richard Billingham and Bill Cunningham Through Their Own Lens
Published on Hyperallergic
Nov 13, 2018
Nov 13, 2018
Three New Documentaries Chronicle the Careers of Game-Changing New York Artists
Published on Forbes.com
Nov 8, 2018
Nov 8, 2018
Thugs Of Hindostan: This Year's Big Bollywood Diwali Release
Published on Forbes.com
Nov 1, 2018
Nov 1, 2018
Badhaai Ho, The Surprise Bollywood Hit Of 2018
Published on Firstpost
Oct 31, 2018
Oct 31, 2018
Chippa movie review: A magical children's film with notes on modern-day Kolkata, and adulthood
Published on Screenslate
Oct 11, 2018
Oct 11, 2018
Interview: Dessane Lopez Cassell on Flaherty NYC "Aftermath"
Published on Firstpost
Sept 25, 2018
Sept 25, 2018
TIFF 2018: Anand Patwardhan’s Vivek is an exhaustive commentary on a diminishing democracy
Published on Firstpost
Sept 23, 2018
Sept 23, 2018
TIFF 2018: Rima Das on Bulbul Can Sing, and India’s Oscar pick Village Rockstars
Published on Firstpost
Sept 22, 2018
Sept 22, 2018
TIFF 2018: Ritu Sarin and Tenzing Sonam on The Sweet Requiem, Tibetans in exile, and indie films
Published on CNN News18
Sept 22, 2018
Sept 22, 2018
Nandita Das on Manto: Didn't Want it to be Like Wikipedia Page
Published on Firstpost
Sept 20, 2018
Sept 20, 2018
TIFF 2018: Director Vasan Bala on Mard Ko Dard Nahin Hota, winner of audience choice award
Published on Frameland
Sept 20, 2018
Sept 20, 2018
TIFF: Mantoiyat in the Time of Censorship
Published on Vague Visages
Sept 20, 2018
Sept 20, 2018
TIFF 2018: Director Laura Luchetti on ‘Twin Flower’ and the Art of Giving Shape to a Story
Published on Reverse Shot
Sep 19, 2018
Sep 19, 2018
Voices Unheard
Published on Firstpost
Sept 18, 2018
Sept 18, 2018
TIFF 2018 rally celebrates women's tedious journeys in film industry, and long road ahead
Published on Frameland
Sept 17, 2018
Sept 17, 2018
TIFF: The Black and White Melancholy of Endless Cups of Coffee
Published on Vague Visages
Sept 16, 2018
Sept 16, 2018
TIFF 2018: Like the Hope of Rain After a Long Summer – A Review of John Butler’s ‘Papi Chulo’
Published on Film Stage
Sept 14, 2018
Sept 14, 2018
The Hummingbird Project: TIFF 2018 Review
Published on Film Stage
Sept 14, 2018
Sept 14, 2018
Hotel Mumbai: TIFF 2018 Review
Published on Vague Visages
Sept 12, 2018
Sept 12, 2018
TIFF 2018: The French Affair – A Review of Louis Garrel’s ‘A Faithful Man’
Published on Hyperallergic
Sep 11, 2018
Sep 11, 2018
To Infinity and Beyond, Yayoi Kusama Grapples With Conventions
Published on Frameland
Sept 10, 2018
Sept 10, 2018
TIFF: Farhadi and the Art of Peeling a Story: Asghar Farhadi’s Everybody Knows
Published on Film Stage
Sept 9, 2018
Sept 9, 2018
Greta: TIFF 2018 Review
Published on Vague Visages
Sept 7, 2018
Sept 7, 2018
TIFF 2018: The Never-Ending Ruminations of Olivier Assayas – A Review of ‘Non-Fiction’
Published on Frameland
Aug 16, 2018
Aug 16, 2018
All In The Name Of Honour
Published on Hyperallergic
July 31, 2018
July 31, 2018
A New Biopic About Nico, Warhol’s “It” Girl and Velvet Underground Singer
Published on Frameland
July 26, 2018
July 26, 2018
Group Post: (Frameland’s Love is Like a) Heatwave
Published on Hyperallergic
July 4, 2018
July 4, 2018
A Film Digs Beneath the Dandy Persona of Cecil Beaton
Published on Another Gaze
July 4, 2018
July 4, 2018
Madonna, Whore, 'Alanis'
Published on Senses of Cinema
June 26, 2018
June 26, 2018
Attendance Is Obligatory: A Bagful of Fleas (Věra Chytilová, 1962)
Published on Screen Slate
June 1, 2018
June 1, 2018
Jai Bhim Comrade
Published on Vice
May 28, 2018
May 28, 2018
Three Weddings and a Documentary
Published on Hyperallergic
May 23, 2018
May 23, 2018
Images of Joy in Central Park from 1970s New York
Published on Bitch Media
May 17, 2018
May 17, 2018
Radical Patience: Ruth Bader Ginsburg Turned Courtrooms Into Feminist Battlegrounds
Published on Vague Visages
May 14, 2018
May 14, 2018
New York Indian Film Festival Review: Hansal Mehta’s ‘Omerta’
Published on Vague Visages
May 10, 2018
May 10, 2018
New York Indian Film Festival Review: Miransha Naik’s ‘Juze’
Published on MUBI Notebook
May 10, 2018
May 10, 2018
Review: Measuring Life in Soju Shots—Hong Sang-soo’s "The Day After"
Published on Vague Visages
May 9, 2018
May 9, 2018
New York Indian Film Festival Review: Bornila Chatterjee’s ‘The Hungry’
Published on Vague Visages
May 8, 2018
May 8, 2018
New York Indian Film Festival Review: Ravi Jadhav’s ‘Nude’
Published on Hyperallergic
April 30, 2018
April 30, 2018
The Artist Who Sketched a Famine in India
Published on Frameland
Apr 30, 2018
Apr 30, 2018
Eating Cake in a Bathtub: The Measured Surreality of Jonaki
Published on MUBI Notebook
Apr 27, 2018
Apr 27, 2018
A Revolution and a Dance: Olivier Assayas’ "Cold Water"
Published on Frameland
Apr 26, 2018
Apr 26, 2018
Celebrating Black Female Filmmakers
Published on Broadly, Vice
Apr 24, 2018
Apr 24, 2018
How NASA Stopped 13 Women from Being the First Women in Space
Published on Vague Visages
Apr 19, 2018
Apr 19, 2018
Calendars, Storms and Coming Home: Rituparno Ghosh’s ‘Unishe April’
Published on Bitch Media
Apr 17, 2018
Apr 17, 2018
Viva Chavela: The Songs And Swagger Of Chavela Vargas
Published on Kinoscope
Mar 30, 2018
Mar 30, 2018
Two Men In A Hearse: Pierre-François Sauter’s “Calabria”
Published on MUBI Notebook
Mar 29, 2018
Mar 29, 2018
A Blazing Field of Colours Running Amok: Bill Gunn's "Personal Problems"
Published on Buzzfeed
Mar 14, 2018
Mar 14, 2018
By Glorifying Churchill, Britain Is Committing New Crimes Against India
Published in Bitch Media (print)
Issue #78, Spring 2018
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Issue #78, Spring 2018
Note: This is a pdf that may prompt a download depending on your browser settings.
A Woman Scorned: The Cold Vengeance of Hindi Cinema
Published on Hyperallergic
Mar 9, 2018
Mar 9, 2018
Andy Goldsworthy’s Ephemeral Art and Laborious Process, in a New Documentary
Published on Screen Slate
Mar 9, 2018
Mar 9, 2018
Police Story
Published on CNN News18
Mar 8, 2018
Mar 8, 2018
Remembering the Women Who Let My Mother Venture Into Men's Territory
Published on CNN News18
Feb 26, 2018
Feb 26, 2018
OPINION | Sridevi: A Superstar in an Industry That Didn't Even Speak Her Language
Published on Reverse Shot
Feb 16, 2018
Feb 16, 2018
Something Else
Published on MUBI Notebook
Feb 13, 2018
Feb 13, 2018
Close-Up: If It's Coming of Age, It Must Be "Dazed and Confused"
Published on Screen Slate
Jan 5, 2018
Jan 5, 2018
The Cloud-Capped Star
Published on Vague Visages
Dec 18, 2017
Dec 18, 2017
Real, All Too Real: Rakhee Sandilya’s ‘Ribbon’
Published on Vague Visages
Dec 16, 2017
Dec 16, 2017
The Story of the Girl Named Blue: Danish Renzu’s ‘Half Widow’
Published on Vague Visages
Dec 13, 2017
Dec 13, 2017
Murphy’s Law and the Man Who Murdered Himself: Nikhil Nagesh Bhat’s ‘Long Live Brij Mohan!’
Published on CNN News18
Dec 8, 2017
Dec 8, 2017
OPINION | Honey, Don't Shrink the Kids While Addressing India's Child Abuse Pandemic
Published on The Film Stage
Nov 19, 2017
Nov 19, 2017
Newton AFI Fest 2017 Review
Published on Vague Visages
Nov 16, 2017
Nov 16, 2017
The Song of the Cloud-Capped Mountain: Anushka Meenakshi and Iswar Srikumar’s ‘Kho ki pa lü’
Published on Vague Visages
Nov 13, 2017
Nov 13, 2017
When Hansel and Gretel Live in a Bus: Paakhi A. Tyrewala’s ‘Pahuna: The Little Visitors’
Published on Vague Visages
Nov 10, 2017
Nov 10, 2017
Of Elephants, Daughters and Rebels: Bobby Sarma Baruah’s ‘Sonar Baran Pakhi (The Golden Wing)’
Published on MUBI Notebook
Oct 21, 2017
Oct 21, 2017
The Archaeology of Film: Close-Up on Filipa César's "Spell Reel"
Published on The Goya Journal
Sep 27, 2017
Sep 27, 2017
Feeding the Goddess: Durga Comes Home to Khichudi
Published on MUBI Notebook
Aug 24, 2017
Aug 24, 2017
Cracked Screens, Lost Phones and Unconnected WiFi: Close-Up on Eduardo Williams’ “The Human Surge”
Published on Huffington Post
Aug 12, 2017
Aug 12, 2017
Dear Barkha Dutt, By Calling Period Leave ‘Stupid’ You Are Letting Down Women
Published on MUBI Notebook
Aug 9, 2017
Aug 9, 2017
Running Children, Warring Cities: Children in the Films of Peter Nestler
Published on Huffington Post
Mar 15, 2017
Mar 15, 2017
Dear Mira Rajput, I Want You To Step Away From Your Privilege For A Moment
Published on Huffington Post
Mar 5, 2017
Mar 5, 2017
'Moonlight' And 'Hidden Figures' Give Us Radical Hope When We Need It Most
Published on Huffington Post
Dec 30, 2016
Dec 30, 2016
The 'Dangal' In My Head: Was I Brought Up By A Patriarch Or A Feminist?
Published on Huffington Post
Dec 19, 2016
Dec 19, 2016
Shah Rukh Khan And Me: A Love Letter To Evolution
Published in Travel + Leisure (print)
October 2016
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October 2016
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The Chic Twins
Published on NDTV.com
Feb 26, 2016
Feb 26, 2016
To JNU With Love, From 11,000 km Away
Bedatri attended high school in Calcutta, and studied Literature in Delhi's Lady Shri Ram College for Women and Jawaharlal Nehru University. She then studied Cinema in New York University's Tisch School of the Arts. Starting out as a writer for a children's supplement of a daily when she was six, she loves writing on film, culture, and gender. She is a 2018 alum of the New York Film Festival Critics Academy, and a Sundance and SXSW 2020 Press Inclusion Initiative Fellow. Also an experienced copy editor and proofreader, she has worked with Rupa, HarperCollins and Pan Macmillan.
For her day jobs, Bedatri has worked with a newspaper, an advertising agency, a documentary commissioning body, a documentary arts centre, a documentary seminar, a distribution company and a production house.
She has also translated, transcribed, and subtitled documentaries.
She lives in New York City where she makes mental notes about strangers on the subway, and binge watches old TV shows. A detailed CV can be found here. You can write to her at [email protected] or holler @Bedatri on twitter
For her day jobs, Bedatri has worked with a newspaper, an advertising agency, a documentary commissioning body, a documentary arts centre, a documentary seminar, a distribution company and a production house.
She has also translated, transcribed, and subtitled documentaries.
She lives in New York City where she makes mental notes about strangers on the subway, and binge watches old TV shows. A detailed CV can be found here. You can write to her at [email protected] or holler @Bedatri on twitter